Hornucopia

Sun Valley Pavilion 300 Dollar Rd, Sun Valley, Idaho, United States

What happens when 16 of the finest horn players in North America get together and try to one-up each other in arrangements of songs ranging from classical to jazz to rock and roll? ā€œIt will be the Mother of All Horn Concerts,ā€ says Bill VerMeulen, the Festivalā€™s Principal Horn. Backed by a rhythm section, the masters of horn will deliver a rollicking good time in the Pavilionā€”donā€™t miss it!

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An Alpine Symphony

Sun Valley Pavilion 300 Dollar Rd, Sun Valley, Idaho, United States

Richard Straussā€™ epic tone poem depicts a day spent hiking in the Alps, from daybreak until nightfall. Through 22 episodes, the audience will experience Straussā€™ musical depictions of forests, brooks, a waterfall, meadows, pastures, a glacier, and this Summer Seasonā€™s second big stormā€”recall Beethovenā€™s ā€œPastoral.ā€ To produce these sounds, in addition to 16 horns, the orchestra will include an organ, a wind machine, a heckelphone, and a thunder sheet. Where else can you hear this piece in the very setting it describes? Only in Sun Valley!

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Orion Weiss: In Recital, Online

Online broadcast at svmusicfestival.org

What better way to celebrate a year of musical performances than with more music! The Sun Valley Music Festival is pleased to offer you an exclusive, online performance by pianist Orion Weiss, one of the most sought-after performers of his generation, with this yearā€™s Annual Report. Enjoy 20 minutes of music by Grieg, AlbĆ©niz, and Debussy from anywhere and on any internet-connected device. Originally recorded in 2020, this performance is free, of course, and will be available through November 30, 2022 on the Festival website and YouTube channel.

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Gankino Horo, featuring Time For Three and Kevin Puts

Online broadcast at svmusicfestival.org

Enjoy a broadcast performance of Gankino Horo, performed for the Festivalā€™s 2020 Summer Season by Time For Three and Pulitzer Prize-winning composer, Kevin Puts. The Bulgarian folk tune was the inspiration for the fourth movement of Contact, a concerto for Time For Three with orchestra, which the Festival co-commissioned from Puts.

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