Violinist Leila Josefowicz is a passionate advocate of contemporary music, with several living composers having written concertos for her. In this concert she plays Stravinsky’s Violin Concerto, a rhythmic, pulsing piece with Baroque overtones. Stravinsky basically invented his own format for this concerto, and the two “arias” in the middle offer some gorgeous violin-playing, including a rare (for Stravinsky) bit of reflective melancholy in Aria II. The program opens with Lili Boulanger’s Of a Spring Morning, a vibrant and delicate piece, and closes with Tchaikovsky’s Capriccio Italien, inspired by catchy tunes the composer heard on the streets Rome.

For their chamber music concert this year, the Festival’s resident string quartet takes on Brahms’s earnest, yet lovely, String Quartet No. 2. The piece is full of canons, or imitative melodies (a nod to Bach), and Hungarian themes (perhaps a nod to violinist Joseph Joachim, who played the premiere). Following, the Quartet will play Haydn’s Quartet Op. 76 No. 2, another formally serious but lively and gracious work, also with nods to Bach (note the canon in the 3rd movement) and Hungarian flourishes in the finale.

Sun Valley favorites Time for Three return to the Pavilion stage for the first time since August 2017. They’ll perform a new work titled Contact, which was co-commissioned by the Festival and written for them by the Pulitzer Prize-winning composer Kevin Puts. Puts wrote Hymn to the Sun for the Sun Valley Pavilion’s opening concert. The program begins with Three Latin American Dances for Orchestra, by Gabriela Lena Frank. Frank is a Grammy-nominated composer and pianist, who was named one of the top 35 female composers in classical music by The Washington Post.