Mozart fans may realize that the Festival has been slowly working its way through the great composer’s concertos for winds. This evening features his Concerto for Oboe, performed by the Festival’s Principal Oboe, Erik Behr. One of the most famous pieces ever written for the oboe, it offers a melodic showcase for the instrument’s range of expression. Wind instruments are also featured prominently in Argentinian composer Alberto Ginastera’s Variaciones Concertantes. Each variation gives the melodic lead to a different instrument, including the flute, clarinet, and a duet between the oboe and bassoon. And the final variation brings everything home with an exuberant, Latin-American flair.

Antonín Dvořák’s eighth symphony is often described as cheery, genial, and upbeat. It offers one delightful melody after another, whether evoking themes from Bohemian folk music the composer adored or scenes of local pastoral beauty. As one conductor instructed the orchestra before the fanfare that opens the fourth movement: “Gentlemen, in Bohemia the trumpets never call to battle—they always call to the dance!” Speaking of fanfare, this concert opens with Mason Bates’s Soundcheck in C Major, which is, in his words, “a fanfare animated by sonic effects” that might remind some of Wagner, and others of Pink Floyd.