Beethoven’s “Eroica”

Sun Valley Pavilion 300 Dollar Rd, Sun Valley, Idaho, United States

Beethoven’s “Heroic” symphony transformed the genre. It was more massive, ambitious, and innovative than any music that had been written before. In many ways, it represents the turning point from classical to romantic music. Heroism, despair, mourning and triumph are just some of the emotions represented in a piece that uses rhythm and a driving force as an equal partner to melody. Reflecting on “Eroica,” Leonard Bernstein marveled at “the mysterious genius of a man who is capable of uniting all contradictions into one single, perfect entity.” 

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Celebrating Frontline Heroes

Sun Valley Pavilion 300 Dollar Rd, Sun Valley, Idaho, United States

A special tribute to the heroes in healthcare, education, transportation, food service, social work, and emergency services who worked so hard to improve our lives these last two years. Program […]

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Gala Concert with Joshua Bell

Sun Valley Pavilion 300 Dollar Rd, Sun Valley, Idaho, United States

With a career spanning almost four decades as a soloist, conductor, and Music Director of the Academy of St. Martin in the Fields, Joshua Bell is one of the most celebrated violinists of his era. For the Festival’s Gala, he and his 1713 Stradivarius will tackle an all-time favorite, Beethoven’s Violin Concerto in D Major. It’s a piece written in haste for a violinist with whom the composer greatly admired, and it soon became a cornerstone of the violin repertory. One of the reasons, its loose, lyrical structure—interplaying in narrative between solo violin and the orchestra’s rhythmic themes—which allows the soloist to present it in their own voice.

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Memories and Reflections: Mazzoli, Mozart, and Brahms

Sun Valley Pavilion 300 Dollar Rd, Sun Valley, Idaho, United States

American Composer Missy Mazzoli, writing about her piece, These Worlds in Us, noted that “we accumulate worlds of intense memory within us.” Mozart must have had a headful of memories when he completed his clarinet concerto in 1791, a couple months before he died. It pairs grace and gravity in equal measure, with the clarinet hinting at a sense of sadness behind its beauty. In the summer of 1873, Brahms recalled a tune he had heard a few years before, attributed to Haydn, and composed his lovely variations based on it.

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