Gluzman in Recital with Festival Musicians

Sun Valley Pavilion 300 Dollar Rd, Sun Valley, Idaho, United States

Vadim Gluzman partners with Festival musicians to bring you two jewels of the chamber repertoire. Igor Stravinsky’s Suite Italienne is an arrangement for violin and piano of the composer’s score for the hugely successful ballet Pucinella. Tchaikovsky’s only string sextet, Souvenir de Florence, owes its name to a lovely melody he thought of while in Florence working on something else. And that’s as Italian as this (very Russian) piece gets!

Find out more » Go to broadcast

Beethoven’s “Eroica”

Sun Valley Pavilion 300 Dollar Rd, Sun Valley, Idaho, United States

Beethoven’s “Heroic” symphony transformed the genre. It was more massive, ambitious, and innovative than any music that had been written before. In many ways, it represents the turning point from classical to romantic music. Heroism, despair, mourning and triumph are just some of the emotions represented in a piece that uses rhythm and a driving force as an equal partner to melody. Reflecting on “Eroica,” Leonard Bernstein marveled at “the mysterious genius of a man who is capable of uniting all contradictions into one single, perfect entity.” 

Find out more » Go to broadcast

Celebrating Frontline Heroes

Sun Valley Pavilion 300 Dollar Rd, Sun Valley, Idaho, United States

A special tribute to the heroes in healthcare, education, transportation, food service, social work, and emergency services who worked so hard to improve our lives these last two years. Program to be announced from the stage

Find out more » Go to broadcast

Gala Concert with Joshua Bell

Sun Valley Pavilion 300 Dollar Rd, Sun Valley, Idaho, United States

With a career spanning almost four decades as a soloist, conductor, and Music Director of the Academy of St. Martin in the Fields, Joshua Bell is one of the most celebrated violinists of his era. For the Festival’s Gala, he and his 1713 Stradivarius will tackle an all-time favorite, Beethoven’s Violin Concerto in D Major. It’s a piece written in haste for a violinist with whom the composer greatly admired, and it soon became a cornerstone of the violin repertory. One of the reasons, its loose, lyrical structure—interplaying in narrative between solo violin and the orchestra’s rhythmic themes—which allows the soloist to present it in their own voice.

Find out more » Go to broadcast