Milana Elise Reiche and Rebecca Corruccini play Jean-Marie Leclair’s elegant Sonata in E Minor for Two Violins. A leading musical light in mid-18th-century Paris, Leclair’s fame today rests on virtuoso works for his own instrument: the violin. Beethoven’s music inhabits the opposite end of the emotional spectrum, and nowhere is his temperament more apparent than in the turbulent “Appassionata” piano sonata. Acclaimed American pianist Orion Weiss explores Beethoven’s dark night of the soul.

A quintet of the orchestra’s acclaimed brass players kicks off a musical journey with music of the Renaissance. Then, Amos Yang delves into the baroque with the last of Johann Sebastian Bach’s iconic Cello Suites. Heading into the 1950s, Leonard Bernstein’s West Side Story gets the brass treatment, while celebrated violinist Leila Josefowicz brings you into the 21st century with an excerpt from Esa-Pekka Salonen’s Lachen Verlernt (Laughing Unlearnt), a modern work in the form of a chaconne that neatly lends a nod back to Bach.

Festival mainstays Kristin Ahlstrom, Bjorn Ranheim, and Peter Henderson will be your guides through Beethoven’s Piano Trio in B-flat Major. Better known as the “Archduke,” its dedicatee was Archduke Rudolph of Austria, a musical dilettante and gifted amateur pianist. Full of originality, the 45-minute work was Beethoven’s final full-scale piano trio and ranges from joy to sadness with outbursts of bluff good humor. The work’s first performances with the increasingly deaf composer, accompanied by Ignaz Schuppanzigh on violin and Josef Linke on cello, would mark Beethoven’s last public appearance as a pianist.