The American Experience

Sun Valley Pavilion 300 Dollar Rd, Sun Valley, Idaho, United States

This concert highlights the music of three American composers. First up is Florence Priceā€™s Ethiopiaā€™s Shadow in America, which charts the arrival of Africans in America. Then, superstar soprano Julia Bullock sings a Sun Valley Music Festival commission, the world premiere of Jessie Montgomeryā€™s Five Freedom Songs based on traditional African American spirituals. And finally, Ms. Bullock will narrate Aaron Coplandā€™s iconic Lincoln Portrait, featuring excerpts from President Lincolnā€™s speeches, in particular, the Gettysburg Address.

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Mahler Symphony No. 4

Sun Valley Pavilion 300 Dollar Rd, Sun Valley, Idaho, United States

Welcome to the sunny side of Mahler. This symphony, his shortest, brightest, and most performed, leaves behind the brooding, tumultuous, and vast soundscapes of the others for blue skies and childlike innocence. The first symphony to end with a solo vocalist accompanied by orchestra, it builds to the final movement, which depicts ā€œThe Heavenly Life.ā€ Soprano Julia Bullock joins the orchestra to sing these verses describing an innocent and serene view of heaven.

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Edgar M. Bronfman String Quartet

Sun Valley Pavilion 300 Dollar Rd, Sun Valley, Idaho, United States

Shostakovichā€™s String Quartet No. 8 was dedicated ā€œto the victims of fascism and the war.ā€ Itā€™s likely a very autobiographical work that features a musical monogram, a means by which Shostakovich inserted his own voice into the musical narrative in a very under-the-radar way. The story is that, upon hearing it played for the first time by the Borodin Quartet, he buried his head in his hands and wept. In contrast, Mozartā€™s sunny String Quartet K. 465, nicknamed the ā€œDissonanceā€ for its famous opening, moves quickly from darkness into light and remains there.

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Alisa Weilerstein Plays Schumann

Sun Valley Pavilion 300 Dollar Rd, Sun Valley, Idaho, United States

Cellist Alisa Weilerstein ā€œis a throwback to an earlier age of classical performers . . . she inhabits a piece fully and turns it to her own endsā€ (New York Times). For this performance sheā€™ll tackle Schumannā€™s cello concerto, a piece in which ā€œthe romantic quality, the vivacity, the freshness and humorā€¦are indeed wholly ravishing.ā€ This review came from Clara Schumann, who would have known. The program opens with Jennifer Higdonā€™s beautiful blue cathedral, a piece she wrote in memory of her younger brother, incorporating references to their life together.

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